Violins Collection

    Historically Informed Violins

    Professional violins created by Dmitry Badiarov through a harmony-first method, where musical relationships are resolved as proportion before becoming measurements, response, and voice.

    The model names are not decorative. Each begins from a specific musical theme translated into proportion, response, and form.

    The Art of Fugue Violin

    The Art of Fugue Violin

    A violin shaped from Bach’s contrapuntal architecture

    Built from Bach’s Art of Fugue.

    The model translates musical counterpoint into proportion, response, and form.

    A violin shaped by harmonic structure rather than historical copying.

    The Dies Irae Violin

    The Dies Irae Violin

    A darker violin model shaped from the Dies Irae chant

    Derived from the medieval Dies Irae chant.

    A historical musical theme translated into proportion, response, and form.

    A darker, compact violin shaped through Badiarov’s harmony-first method.

    The Dissonances

    The Dissonances

    A professional violin for smaller hands

    Developed for players who need a shorter vibrating string length.

    Full tonal presence with reduced physical strain.

    A professional sound shaped around music and player's body.

    Playing Characteristics

    Each Badiarov violin model can be customised for the musician, repertoire, pitch, setup, and physical requirements.
    The models differ in their musical source, underlying proportions, response, tonal character, and playing feel.

    • The Art of Fugue

      A longer violin model shaped from the musical logic of Bach’s Art of Fugue.
      Warm, open, articulate, and built around clarity of harmonic relationship.

    • The Dies Irae

      A shorter, wider violin model derived from the Dies Irae chant.
      Darker, denser, and more compact in physical handling.

    • The Dissonances

      A violin model optimised for shorter vibrating string lengths.
      It offers full tonal presence at reduced scale and can be especially useful for professional musicians with smaller hands.

    Several models exist in multiple setups, from Early Baroque to modern.
    A model recommendation begins with the musician’s repertoire, sound ideal, physical needs, and existing instrument experience.