The Dissonances

    Quiet Defiance

    Dissonances — An Emblem

    Dissonances — An Emblem

    The beauty of dissonance embraced and resolved in form. Speaking in the harmonic language of shadow and tension, this model embodies a lifetime of exploration in minor, unexpected, and unresolved intervals. It exists for those who hear what others overlook — and who refuse to force themselves into forms never designed for them.

    Classical at first glance, yet immediately different — proportions recalibrated without visual compromise.

    Classical at first glance, yet immediately different — proportions recalibrated without visual compromise.

    Harmony Revealed

    Play it. Feel it. No words necessary.

    Harmony: proportion and balance — rethought for the modern body.

    Harmony as Orientation

    For many of today’s players, the modern violin asks the body to adapt to it. This model does the opposite. Guided by harmony, every element — from body length to string spacing — is recalibrated to restore balance, ease, and authority. It looks full-sized, sounds uncompromised, and responds without resistance. Sound Alchemy at its most distilled.

    The Instrument — On Stage

    Let the witnesses speak. Rare, responsive, alive. An instrument that meets the player where they are — and accompanies them to the sonic worlds they seek to reveal.

    “If I can’t try it, how do I know this will work?”

    When you commission, acoustic predictability and comfort aren’t luck. Your instrument must help you be your best—so nothing is left to chance.

    I built Sound Alchemy™ from the masters’ method and from lived stage reality—including years performing with La Petite Bande. The clearest proof is repeated commissions:

    Sigiswald Kuijken (6) · Sergey Malov (2) · Ryo Terakado (3).

    Witnesses

    “I looked for a long time for a violin that truly fit me. The result is an instrument that fits my hand, my music, and my life.”

    Laura Fierro

    Baroque Violinist, Chamber Musician, Visual Artist

    “Despite its size, the sound is full and powerful — truly comparable to a standard instrument, without the physical struggle.”

    Chiharu Shimano

    Baroque Violinist, Chamber Musician

    “It feels like it grows with me. Constant, alive, and deeply personal.”

    Claire de Prekel

    Violinist & Music Manager

    The Dissonances Violin

    Designed for smaller hands, engineered to sound like no compromise was ever made

    €35,000

    excl. VAT