Have you ever felt goosebumps when playing on stage?
The resonance of that wood in combination with the model gives me goosebumps.
That’s what it feels like.
A violin for a client in Portugal.
A violin for a client in Austria.
A violoncello da spalla for a client in the USA…
And what was the best moment when you were looking for your instrument?
And, maybe, would you like to know how to distinguish a crude violin from a fine one, even if both look the same, and how to never pay more than it is worth?