An idea of writing this article came when I was working together with the string maker Mimmo Peruffo on the strings for my violoncello da spalla. The amount of simple and practical information on baroque gut was overwhelming. At the same time it was exactly this kind of information which is clearly unavailable in the more scientific articles on the history of gut strings. Thus I am delighted to share my experience with the reader in this simple article.

Being a maker of historical violins I often face musicians arguing about …

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